Plane tickets present a definitive endpoint for talking; the mental equivalent of a sign over your friend's head announcing how many hours remain before it's time to pack up yet again and fly back into your regularly scheduled lives.

Flip the clock to 'wake' and it says 9:05. My watch currently says 12:59; it'd be in my best interests to make good on my weeks-old threat to get at least some sleep before attempting to roll directly from my bed to the car.

Funny how sometimes the things you dread and put off don't even bother to live up to how difficult you thought they'd be.

Databases were like that for me, once; I woke up one day and said, "It's time," and cracked open my books and studied up and about two days later, I realized at least three-quarters of my fear and doubt went away the moment I transmuted worry into action.

"Cable knitting? But I don't know how to do cable knitting..."

We watch the strangest stuff around here. Possibly the only thing stranger than a couple who intends to remain childless watching a show about human reproduction is hearing said couple's comments during the course of the show.

If someone starts showing me a laparoscopic view of actual human ovary as it's trying to, well, ovulate, of course I'm going to start providing Gary Larson-style commentary:

*hand puppet*

"Hi, I'm an ovary."

(Perhaps it was funnier if you were there.)

My bones sang 'done' before I could even get off the ladder. Even though the notes were a bit premature, I let them come anyway. Only when the tape was down and the first coat of touchup paint was applied did I really allow myself to think 'done' and mean it.

Even now, the word is still debatable, but my relief is not.

Do interior painting even once and you learn the dance: tape up, paint up, tape down, patch areas of missing color with new wall color, patch areas of new-color overspray with the trim color. Get off ladder. Sleep.

Almost there, kid.

I started yanking the tape down in earnest at seven-thirty tonight, and within thirty minutes the striped Medusa pile lay in the entranceway, ready to grab the pants leg of anyone who ventured too close. After the tape was down, I picked up the bucket of red paint and began to clean up lines made ragged by the tape's removal.

"oh my Lord
why's it taking you so long
to give me grace
and the dignity to right these wrongs"
- Jonatha Brooke, 'Deny' (bonus track from _Steady Pull_, 2001)

It's a chorus, really; voices in my head taking on the voices of two particular friends, taking their words, doubling, tripling them until the sounds of their voices drown out my own.