A couple of weeks ago, when I asked Catherine E. what kind of quilt she was interested in, she told me she loved the look of Dresden Plate quilts from the 1930s. I started researching it, and discovered something I really should have predicted, but had not: many things on places like eBay turn up from estate sales, and quilt pieces are part of estate sales. I've been staring in fascination ever since.
There. Two quilts out in two days. No, I didn't complete them, start-to-finish, in two days, but they're leaving my house within 48 hours of each other -- and yes, Tenzing is royally displeased. How did you know? Oh, previous photos. Right.
I've put some craft time this week toward Hallie's hexagon project, which I nicknamed "Remixed." I teased Jeff tonight that I wanted to sit down and actally sew something, so I could say that I was finally making progress on the quilt project. Everything I'd done so far felt more like deconstruction than construction.
I've made no secret of my intention to do a large Penrose quilt, but I had a sinking feeling a little while ago that I should perhaps consider doing a trial run first instead of cannonballing my ass into the deep end and potentially ruining a lot of fabric that can't be re-purchased here in Huntsville.
This placeholder has been here long enough that I think I'm safe rewriting it and being more explicit about the details of this quilt. Believe me when I say that keeping this under wraps has been making me crazy, and I've wanted to talk about it -- wanted! wanted!
Annie is a co-worker of mine. Annie is also one of the nicest, sweetest, and most decent people you'll ever meet. She's a pleasure to take a lunch with, and a day-brightener whenever you run into her in the hallway.
This quilt will have a very long gestation period. This is the second of two sets of quilt pieces that Hallie is letting me finish. These are entirely hand-pieced in white thread by someone with very neat and clean hand-sewing, and the fabrics are 1930s -- many of them are probably feed sacks. Like 'Continuity,' Hallie's family thinks these were made either by her great-aunt or her great-grandmother. Any more specific information has already been lost.